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In recent years horror movies have begun to surprise and terrify us once again. Grittiness and moderate budgets have actually worked to their advantage. Lions Gate continues their tradition of bringing American theaters some of the foreign gems of this intense genre with the upcoming release of "The Descent". Written/Directed by Neil Marshall (Dog Soldiers), and starring Shauna Macdonald, Natalie Mendoza and Alex Reid, "The Descent" is by far one of the most gruesome, frightening, and wicked films we will see all year. God bless them, I loved it!

Sarah (MacDonald) reunites with her friends on a trip to the American wilderness to join them in their yearly thrill-seeking adventures. Sarah carries a mental burden with her, as only a year ago she would lose her husband and daughter in a fatal car accident. Trying to heal these scars she has agreed to join her best friends Juno (Mendoza), Beth (Reid), and three other women to explore a nearby cave complex. The adventure soon turns into a nightmare, as a cave-in seals the group inside with only their wits to aid them in finding another exit. And things only grow much worse as they discover that a pack of subterranean creatures lives within these caverns and they are ever so hungry.

Without a doubt, the best part of the film is the fact that it doesn't pull punches. Everything from the terror to the shocking moments is amplified because you simply don't think a movie could possibly be this brutal (It reminds me a bit of "House of a 1000 Corpses" in that regard). When the terror begins there are no breaks for you to take a comfortable breather.  Within five minutes of the film you get your first shock and you are already peeking at the exit of the theater, reconsidering just how emotionally ready you are for a film like this.

Another bonus to the film is it's break from the norm. Horror movies often follow specific formulas, where characters are written to act in certain ways to the horrific situations depending on the character's like-factor and  expendability . I like to think that "The Descent" has managed to rewrite this formula and give it's characters a strong human element that helps them react more appropriately to the evil that wishes to consume them. They are strong and adventurous women, the type that would explore claustrophobic cave systems on their own, and this is how they will deal with their problems. And sometimes, it's not pretty. Despite knowing how futile the desire is, you wish that all of them would make it out alive. The dialogue is real and never corny. It's as human as you get, and that's what makes it even more terrifying.

The creatures themselves, "The Crawlers" as the credits call them, are essentially what you would expect a cave dwelling humanoid to be. Blind albinos driven by animal instinct and spider-man style wall climbing abilities to boot. They are the vicious predators of the film, stalking the women who, if they hope to survive, must turn from prey to hunter as quickly as possible. (A little trivia here: the creature's designs were kept secret from the actors. Their reactions to them are so real, that the actors ran screaming from the set during the scene they are revealed.)

Gore fans will also not be disappointed. Buckets of blood? AhHA! Try lakes of it (literally). There is enough squeal-factor spurts and wounds to almost make you want to keep your eyes closed through the entire last half of the film. And yet it is never corny and despite the multitude of it, never over done. This is how I like my horror films. I think even Wes Craven could learn a little something from Neil Marshall.

In short: it is intense and it is horrifying. It is also one of the best horror films I have seen in years. I advise those with weak hearts or claustrophobia to stay clear of this one. All others are given my full recommendation to spend an hour and a half wanting your mommies. "The Descent" descends into a tale of evil, rage, and horror unlike any other.